Summer Circle Theatre to Offer Free Outdoor Performances at MSU June 4-21

Michigan State University’s Department of Theatre is preparing for the 2026 Summer Circle Theatre season, which runs June 4-21 and will feature three productions, along with pre- and post-show performances, including lively cabarets and improv. This marks the 64th year Summer Circle Theatre (SCT) has offered free outdoor performances for the public to enjoy.  

“In the past six decades, we have been delighting audiences with free outdoor performances on our beautiful campus,” said Alexis Black, Associate Professor in MSU’s Department of Theatre and Artistic Director of SCT. “Summer Circle Theatre continues to offer a vibrant, professional venue for MSU students while bringing the joy of live theatre to mid-Michigan audiences.”  

Audience members seated in lawn chairs watch an outdoor theatre performance at Michigan State University’s Summer Circle Theatre. Onstage, actors perform in a detailed bedroom set framed by a colorful backdrop, while the crowd fills the amphitheater on a summer evening.
A 2025 Summer Circle Theatre performance of “I and You” by Lauren Gunderson. (Photo by Raymond Black Photography)

This year’s SCT theme is “Resilience,” with stories featuring characters who are challenged to grow, adapt, and rediscover their sense of self.

The season begins with “The Miraculous Journey of Edward Tulane,” in which a porcelain rabbit’s unexpected travels reveal the transformative power of love and loss. The season then moves into “Pride@Prejudice,” an inventive reimagining that reminds us how identity, perception, and connection continue to evolve across time, and concludes with “Honky Tonk Laundry, The Musical,” where a pile of laundry and a jukebox full of country hits create an uplifting story of friendship and perseverance.

“As Artistic Director, I remain continually inspired by the dedication and talent of our remarkable company and our extraordinary audiences. The shared laughter, music, and moments of reflection are what make the SCT tradition so meaningful year after year.”

Alexis Black, Associate Professor and Artistic Director of SCT

“Each production invites us to consider how we navigate change, hold onto hope, and move forward with renewed strength,” Black said. “As Artistic Director, I remain continually inspired by the dedication and talent of our remarkable company and our extraordinary audiences. The shared laughter, music, and moments of reflection are what make the SCT tradition so meaningful year after year.”

In addition to the mainstage performances, a variety of pre- and post-show events are planned to celebrate the artistic spirit. Audiences can expect lively cabarets and captivating improv performances that further enrich the celebration of community and creativity.

“Summer Circle Theatre highlights the transformative power of the arts, not only for our audiences but for our students who bring these productions to life,” said Thomas Stubblefield, Dean of the College of Arts & Letters. “It is a space where learning, creativity, and community intersect in meaningful ways. We are proud to support this long-standing tradition and the role it plays in enriching both campus and community life.”

All performances take place at the Summer Circle Courtyard, located between the Auditorium Building and Kresge Art Center on MSU’s campus. In the event of inclement weather, performances will move into the Auditorium Building.

“Summer Circle Theatre highlights the transformative power of the arts, not only for our audiences but for our students who bring these productions to life. It is a space where learning, creativity, and community intersect in meaningful ways.”

Thomas Stubblefield, Dean of the College of Arts & Letters

The Summer Circle Courtyard is a tiered, amphitheater-style venue. Patrons are encouraged to bring blankets and lawn chairs for maximum comfort. Concessions will be available at each performance with all proceeds going to Summer Circle Theatre. Audience members also are welcome to bring their own picnic. Free parking will be available after 6 p.m. on weeknights and weekends in Lot 9, located across the street from the Summer Circle Courtyard.

All shows begin at 7 p.m., except for the Sunday performances, which begin at 4 p.m. For a full schedule and more information, visit the Summer Circle Theatre website.

Audience members raise their arms and participate alongside performers during an outdoor Summer Circle Theatre production at Michigan State University. Actors perform onstage in front of a colorful playground-themed set with a slide, swings, clouds, and sun as families watch from lawn chairs in the amphitheater.
A 2025 Summer Circle Theatre performance of “Elephant & Piggie’s ‘We Are in a Play!'” (Photo by Raymond Black Photography)

The Miraculous Journey of Edward Tulane

An illustrated promotional graphic for the play "The Miraculous Journey of Edward Tulane," adapted by Dwayne Hartford from the book by Kate DiCamillo. A white toy rabbit wearing a blue suit jacket and red bowtie sits balanced on top of a large, vintage wooden wagon wheel. The scene is set on a wooden stage framed by draped crimson curtains, giving it a theatrical appearance.
(Illustration by Buu-Tran Duong)

The Miraculous Journey of Edward Tulane,” scheduled for June 4-7, is adapted by Dwayne Hartford from the children’s novel by Kate DiCamillo. The play follows the transformative journey of a self-absorbed toy rabbit named Edward Tulane. Through a series of extraordinary adventures, profound relationships, and moments of self-discovery, Edward learns the true meaning of love, loss, and resilience.

The story weaves together themes of hope and despair, revealing the lasting impact of those we encounter along our path. Its episodic structure invites actors to embody multiple roles, while collaborating with designers to bring the world to life through a blend of truth and imagination.

The play is directed by Dionne O’Dell, Academic Specialist in the Department of Theatre, who specializes in teaching children’s theatre and writing and directing plays for youth and community, with music direction by Matt Durland, MFA in Acting Candidate, and choreography by Miranda Bourne.

Rating: 8+ with themes of friendship, death, and identity.
Run Time: Approximately 1.5 hours, with a 15-minute intermission.

Pride@Prejudice

illustrated promotional graphic for the comedy play "PRIDE@PREJUDICE" by Daniel Elihu Kramer. A hand holds a smartphone displaying a digital illustration of a Regency-era woman in a blue gown and white bonnet, who is also holding a smartphone. A yellow speech bubble next to the phone reads "#MUST SEE :)" and a jagged red burst badge in the lower right corner reads "A RIOTOUS ROMP!" in bright yellow text.
(Illustration by Buu-Tran Duong)

Pride@Prejudice,” written by Daniel Elihu Kramer, runs June 11-14. This lighthearted reimagining of “Pride and Prejudice” by Jane Austen invites the audience to look at this classic story of identity, empathy, and love through a fresh and joyful lens.

Building on the strong foundation of a beloved novel, Kramer has added delightful modern voices and touches, including chat room debates, blog posts, and the words of Austen-enthusiasts. By blending Regency Romance and customs with these contemporary points of view, the audience is asked to consider how love, class, gender, and societal expectations continue to shape our lives today.  
The play is directed by Alexis Black, SCT Artistic Director and Associate Professor of Acting, Movement, and Stage Combat, assistant directed by Matt Durland, MFA in Acting Candidate, and with choreography by Nicole Jenosky, BFA in Acting major.

Rating: Suitable for all ages, while best appreciated by those 9 and older.
Run Time: Approximately 2 hours, with a 15-minute intermission.

Honky Tonk Laundry, The Musical

An illustrated promotional graphic for the musical "Honky Tonk Laundry" written and created by Roger Bean. The left side features a bright blue, front-loading washing machine with an "OUT OF ORDER" sign taped to the glass door. On the right, a wooden bulletin board with hanging string lights displays the title in bold, Western-style lettering. A red cowboy hat with gold stars sits on a rolling wire laundry basket filled with plaid shirts, and a pair of red and yellow cowboy boots rests on the checkered linoleum floor.
(Illustration by Buu-Tran Duong)

Honky Tonk Laundry, The Musical,” written and created by Roger Bean, runs June 18-21.

When Lana Mae Hopkins, owner and proprietress of the Wishy Washy Washateria, hires Katie to help at the laundromat, the pair soon find themselves up to their elbows in soap, suds, and cheatin’ hearts. Together, they transform their good ol’ laundromat into a bootscootin’ honky-tonk, featuring country music hits from the 1990s and 2000s. Along the way, they exact a touch of revenge against those that done ‘em wrong, all while guaranteeing every customer a good, clean time.

The play is directed by Adam Yankowy, Assistant Professor of Musical Theatre, with music directed by Dave Wendelberger, Academic Specialist of Musical Theatre in the Department of Theatre, and choreography by Nicole Jenosky, BFA in Acting major.

Rating: 13+ with moderate adult language and themes of infidelity, substance use, and innuendo.
Run Time: Approximately 2 hours, with a 15-minute intermission.

By Austin Curtis