Co-commissioned by Oregon Shakespeare Festival’s American Revolutions: The United States History Cycle And Arena Stage
World premiere produced by the Oregon Shakespeare Festival
This production of SWEAT was first presented in New York by The Public Theater
(Oskar Eustis, Artistic Director; Patrick Willingham, Executive Director)
Originally produced on Broadway by Stuart Thompson and Louise L. Gund.
We collectively acknowledge that Michigan State University occupies the ancestral, traditional, and contemporary Lands of the Anishinaabeg – Three Fires Confederacy of Ojibwe, Odawa, and Potawatomi peoples. In particular, the University resides on Land ceded in the 1819 Treaty of Saginaw. We recognize, support, and advocate for the sovereignty of Michigan’s twelve federally-recognized Indian nations, for historic Indigenous communities in Michigan, for Indigenous individuals and communities who live here now, and for those who were forcibly removed from their Homelands. By offering this Land Acknowledgement, we affirm Indigenous sovereignty and will work to hold Michigan State University more accountable to the needs of American Indian and Indigenous peoples.
Costume Design
Kessler Jones*
Scenic Design
Gabriela Castillo*
Lighting Design
Madison Ramsey
Stage Manager
Rayna Gold
Props Design
Ariana Moreno
Sound Design
Lucas Nunn
Ryan Welsh
Assistant Stage Managers
B. Beethem
Hope Still
Dramaturgy
Basil Rae
Evan – Tyler Marks
Jason – Ben Corsi
Chris – Michale Coffey
Stan – Gabriel Blaze Herdegen
Oscar – Michael Bolaños
Tracey – Katherine Clemons*
Cynthia – Kamryn Sarratt
Jessie – Shelby Ginsburg
Brucie – Stefon Funderburke*
During the performance, please turn off cell phones, mobile devices, alarm watches and anything that makes noise. The video and/or audio recording of this performance by any means are strictly prohibited.
2 hours, 30 minutes including 15 minute intermission
This play includes themes of poverty, addiction, racism, and xenophobia. It contains strong language including race- and gender-based slurs and some sexual references. Physical violence is acted out onstage. A prop handgun will be onstage; it will remain holstered and is a non-functional prop firearm.
In Sweat, Lynn Nottage creates for us a world that is as nuanced in its beauty as it is in its tragedy. It’s so masterfully executed that it’s little wonder the piece won the Pulitzer in 2017. When we began this process, we had one singular focus; to bring to life, and honor the incredible characters that populate her play. She managed the rare feat of writing characters that feel wholly individual, and yet they represent our neighbors, friends, family; they somehow stand in for all who have been affected by the changes brought on by globalization and the undermining of unions in the American workforce. These characters are us. They tell us a story of community – and what better place to experience the highs and lows of a community than a good dive bar?
In speaking of community, I will say that the community of artists that came together to tell this story for you are among some of the bravest I’ve met in a long while. In the days that followed the tragic events inflicted upon our community on February 13th, Lynn Nottage sent us a message of solidarity and support; she call artists “Second Responders.” We need people to tell our stories, to help us make sense of it all, to remind us that we’re not alone. This company of actors, designers, technicians, and production personnel made the choice to continue the work of telling this difficult story in the midst of our own grief. I’m in awe of each of them, and immensely proud of what they’ve accomplished. And I’m happy that you’re here, so you can be a part of it too.
Sweat by Lynn Nottage delves deep into the struggles of blue-collar workers in a deindustrializing city in Pennsylvania. The play centers on a group of factory workers who have spent most of their adult lives working at the same factory, forming a tight-knit community that is suddenly shattered by the announcement of layoffs and anti-union rhetoric.
As the play unfolds, we witness the complex relationships and dynamics between the characters, as they grapple with their fear and frustration over the loss of their jobs, and the subsequent impact on their families and their community. Based on firsthand research and interviews in Reading, Nottage’s nuanced and realistic portrayal demonstrates the toll that economic hardship takes on individuals and groups, and the ways in which this can breed fear, resentment, and even violence.
The play’s narrative structure, which moves between the present (2008) and the past (2000), allows us to see how the characters’ current struggles are shaped by their personal histories and the larger forces of economic and social change. Because over 15 million people lost their jobs due to the Great Recession of 2008, themes of race, class, community, and a failing American Dream continue to resonate in the aftermath.
– Basil Rae (she/her)
Department of Theatre Chairperson
Dr. Stephen Di Benedetto
Department of Theatre
Production Manager
Abbie Tykocki
Director
Ryan Welsh
Assistant Director
Stefon Funderburke
Dramaturg
Basil Rae
Department Technical Director
DJ Selmeyer
Production Technical Director
Marc White
Scenic Design
Gabriela Castillo*
Lighting Designer
Madison Ramsey
Sound Design
Lucas Nunn and Ryan Welsh
Costume Design
Kessler Jones*
Props Design
Ariana Moreno
Stage Manager
Rayna Gold
Assistant Stage Managers
B. Beethem and Hope Still
Fight and Intimacy Captain
Katherine Clemons*
Technical Director
Marc White
Paint Charge
Thalia Pearce*
Master Electrician
Lilian Meyers*
Costume Shop Supervisor
Angie Wendelberger
Scene Shop Manager
Levi Galloway
Head Carpenter
Marc White
Lighting Board Op
Taelor Burrell
Sound Board Op
Andrew Brown
Deck Crew Head
Zachary Deande
Costume Crew Head
Nakayla Morgan
Make Up Crew Head
Ava Ballagh
House Manager
Joshua Powles
Publicity
Abbie Tykocki, Joie Culligan, Ryonn Clute, Kelsey Southwick
Promotional Photography
Josh Denver
Fiscal Officer
Sara Allison
Office Operations
Brian deVries
Costume Shop
Kasee Arnett, Mona Jahani, Kessler Jones, Emily Rosolowski, Jade Jaarda, Evie Shadoff, Kat Poon, Madison LeMieux
Scene Shop Employees and Students
Levi Galloway, Marc White, Thalia Pearce, Gabriela Castillo, Jordan House, B Beethem, Anthony Monteleone, Christophe Straub, Julie Clampitt, Theresa Littleworth, Sydney St Amour, Shirell Clark, Hope Still
Scenic Painters:
Scenic Painters: Scene Shop Employees and Students, THR 811 Scenic Painting class: Kasee Arnett, B Beethem, Gabriela Castillo, Bunni Gutierrez, Jordan House, Mona Jahani, Kessler Jones, Lilian Meyers, Ariana Moreno, Melina Rodriguez, Emily Rosolowski, Ray Snively, Lauren Spiegel, Hope Still
Stage Crew
THR 111 Students
Faculty Mentors:
Stage Management: Tina M. Newhauser
Costume Design: Karen Kangas-Preston
Scenic Design: Ranae Selmeyer
Prop Design: Ranae Selmeyer
Scenic Art: Ranae Selmeyer
Sound Design: Lucas Nunn
Lighting Design: Shannon Schweitzer
Dramaturgy: Dr. Dan Smith
Intimacy Direction: Alexis Black
House Management: Abbie Tykocki
Publicity: Abbie Tykocki
B BEETHEM (Assistant Stage Manager) Metamora, MI; Junior, BFA Stage Management. Recent past productions are Corktown or Through the Valley of Dry Bones, For the Love Of (Or the Roller derby Play) and the Orchesis Dance Show. They are very excited for everyone to see this show and all the actors, stage managers, and designers’ hard work.
MICHAEL BOLAÑOS (Oscar) Holland, MI; Sophomore, BFA Acting for Stage, Screen, & New Media, Spanish minor, Musical Theatre minor. Recently, he has starred in the ĭmáGen show, In Emily’s Words, as an ensemble member and is currently part of the Sense-Ability ensemble’s production of What If Wilhelmina. He is very excited to now star in his first ever named speaking role at MSU and would like to thank all his friends and family for their encouragement and support.
GABRIELA CASTILLO (Scenic Design) Columbia, MD; Second-year MFA Design candidate in scenic design. Previously she designed Corktown(costumes) and Head over Heels(scenery) at MSU, and Figaro at Hope Summer Rep Theatre as well as Man of God, James and the Giant Peach, and Sojourners in Maryland.
KATHERINE CLEMONS (Tracey/Assistant Intimacy Choreographer/Fight Captain) Greenville, SC; 2nd Year, MFA Acting Candidate, Katherine is a 2015 graduate of Ball State University. She was last seen on the MSU Stage as Hot Flash in For the Love of (Or the Roller Derby Play). Some of her more notable roles include Diane in The Birds (Huron Playhouse), Baker’s Wife in Into the Woods (Nettle Creek Players), and Rhetta Cupp in Pump Boys and Dinettes (Myers Dinner Theatre). Thank you to Jacob, Avery, family, and friends for their love and support! She would also like to take a moment to send love to her cast, stage management team, and director. #SpartanStrong #GoGreen
BEN CORSI (Jason) Macomb, MI; Junior, BFA Acting & BA Psychology. Some recent roles at Michigan State University include Corktown (Sammy & Customer 2) and The Impracticality of Modern-Day Mastodons (Clarence/Clint). He would like to thank everyone involved in the cast, crew, and design team for helping to create this wonderful show and for making the process extremely enjoyable. He would also like to thank his family and friends for all the continuous love and support throughout the pursual of his acting career.
STEFON FUNDERBURKE (Brucie/Assistant Director) Pittsburgh, PA; MFA Acting. He was most recently seen as d’Eon in Monsieur d’Eon is a Woman and Mason in a Contemporary Guide to a Successful Marriage. Regional credits include The Magnolia Ballet at The Williamston Theater, Macbeth, Midnight Syndicate’s Conspiracy of Shadows at Cedar Point, and Tecumseh Outdoor Drama! The Kennedy Center American College Theater Festival’s Musical Theater Intensive Cabaret and The Musical Theater Educator Alliance’s International Showcase. They have interned for La Mama Experimental Theatre Company both in Italy and New York City. Stefon holds a BFA in Musical Theater.
SHELBY GINSBURG (Jessie) Commerce, MI; Sophomore, BFA Acting Major/Creative Advertising Major/Musical Theater Minor. Some past favorite performances at Michigan State include For the Love of or the Roller Derby Play (Squeaky Mouse), Monsieur D’Eon is a Woman (Bertin’s Assistant, others) and The Seeds of Corruption (Judy Poovey). Additionally, Shelby is a proud member of SSMT and the improv troupe After School Special. She thanks Ryan Welsh for giving her this opportunity, her parents and friends for their endless support, and the whole cast and crew for their collective time and effort!
RAYNA GOLD (Stage Manager) Huntington Woods, MI; Junior, BFA Stage Management, Arts and Cultural Management & Public Relations minors. Some favorite recent SM/ASM credits include East Lansing Jazz Festival, Wharton Center’s 40th Anniversary Concert, Of Equal Place: Isotopes in Motion, and In Emily’s Words. She would like to thank her family, friends, and kitten Nala for their undying support!
GABRIEL BLAZE HERDEGEN (Stan) Jenison, MI; Junior, BFA Acting & Musical Theatre minor. Some recent roles at Michigan State University include Hat Full of Rain (Chuch) Monsieur d’Eon is a Woman (Broglie, Rousseau, Prince of Wales) and the Web Series Pandemic’d (Iggy). When not on stage Blaze is usually playing Mario Kart and/or recovering from his most recent injury. He would like to thank his sister Lilia, his parents, friends, coaches, and teammates for their support while working on this show.
KESSLER JONES (Costume Designer) St. Petersburg, FL; The First-year MFA Design candidate in costumes and scenic. Kessler is so excited to be designing her first show here in Michigan! They’ve previously designed work around the Tampa Bay area, including The University of South Florida, Stageworks Theatre and Hat Trick Theatre productions, among others. They would like to thank their parents, their faculty and the MFA cohort for their incredible mentorship. See more of their work at KesslerJones.com.
TYLER MARKS (Evan) Wixom, MI; Third Year, BS Information Science and Musical Theater Minor. This is his first MSU production that he will be starring in. Most recently he played a role in a Walled lakes production of The Sister act. He also worked backstage on Monsieur D’Eon is a Woman. He would like to thank his friends and family for pushing him to be better every day.
ARIANA MORENO (Props Artisan) Lansing, MI; Senior, BFA Theater concentration in design. She has worked previously on Corktown’s prop design. As well as Charlotte’s Web scenic assistance. This is her first run as props artisan alone and wants to thank everyone who helped her along the way in the design process. She would also like to thank her family for being so supportive and helpful with this production!
MADDIE RAMSEY (Lighting Designer) Sterling Heights, MI; BFA Technical Theatre Design focus in Lighting. This is her first full lighting design at Michigan State University, and she is so excited to be a part of the team. You may catch her as a spotlight operator at the Wharton Center as the Broadway tours visit East Lansing. She would like to thank everyone who has helped her along the way and hopes that everyone enjoys the show!
KAMRYN SARRATT (Cynthia) Carmel, IN; Senior, BS Physiology, BA Theatre, Musical Theatre Minor. You may have seen her in The Glass Menagerie (Amanda Wingfield), In Emily’s Words (Charlotte Brontë), and Hit the Wall (Roberta). Kamryn wants to thank the amazing cast and crew for making her last mainstage production at MSU one of the most memorable. She also wants to thank her family and friends for their continuous love and support. #SpartanStrong
HOPE STILL (Assistant Stage Manager) Birmingham, MI; Sophomore, BFA Stage Management, Arts and Cultural Management minor, and secondary focus in Scenic Painting. Recent past productions include The Rocky Horror Show (Stage Manager) and Charlotte’s Web (Scenic Painter). She would like to thank her family and friends for all their love and endless support.
Friends of Theatre is a membership organization promoting, encouraging and enhancing activities of the MSU Department of Theatre. We organize events and programs that expand the community experience of theatre. We also create fund-raising opportunities and promote improvements in the programs and facilities of the MSU Department of Theatre. How can you join? Make a donation to the Michigan State University Department of Theatre and you will become a most welcome member. Click here to learn more.
We would like to express our gratitude to the following friends who have generously supported the MSU Department of Theatre during the past year. If we have inadvertently left your name off this list, please accept our apologies and contact us so that we may make the correction. This list is current as of 11/01/2022.
Named Summer Circle Courtyard Donors
Sam and Mary Austin
Selma Hollander
Linda Nelson
Gretel Geist Rutledge
Jane K. Vieth and Alan P. Suits
Diamond ($2,500+, Season Sponsors)
Robert W. Matson
Anonymous
Platinum ($1,000-$2,500, Show Sponsors)
Sam M. and Mary E. Austin
John and Gretchen Forsyth
John I. Nichols
Alan Suits and Jane Vieth Suits
Gold ($500-1,000)
Philip and Jacqueline Babcock
Kirk A. Domer
Rose and Jim Zacks
Silver ($250-$500)
John F Baumgart
Michael G. Burry, D.O. and Mrs. Tina M. Burry
Karen M. Kangas-Preston
Robert J. Roznowski
Bronze ($100-$250)
Kwafo L. Adarkwa and
Mia K. Gougeon-Adarkwa
Dr. Walter Baird and Marilyn Baird
Mrs. Barbara L. and Dr. Steven J. Bursian
Jeanie E. Croope
Robert J. DeWaal and Christine A. Aiello
Maribeth Fletcher
Craig J. Gunn
Dean O. and Nancy E. Haney
Leonore F Helder
Linda D. and Ross Howard
Jerry and Karen Jennings
Jean Lyle Lepard
John L. Lepard and Emily C. Sutton-Smith
Dr. and Mrs. Edward A. Oxer
Carol Payne Smith
Frana K. Potter
Jeffrey D. and Gwen Seguin
Mary L. Terrien
Jacqueline M. Titus
Dr. and Mrs. Ewen C. D. Todd
Dorothy R. Van Looy
Barbara S. Wepman
Jane S. and Mark R. Zussman
Pewter ($50-$100)
Lynn H Aguado
Elizabeth A. Baker Newell and
Robert H. Newell
Daniel F. Buonodono and
Sonia M. Cornell Buonodono
Bess German
Seth Goble
Bruce E. and Nicole R. Greenway
Amy G. and Robert E. Kilbridge
Geoffrey C. Kimmerly
Jeffrey S. Lambert
Marla K. and Dale Lambert
Elizabeth S. Lepak
Bernadette M. Lum and Robert Terranova
Michael B. and Rebekah J. McKenney
Mary T. and Ulrich Meierfrankenfeld
Janice L. Mernitz
Vicki A. and Richard J. Miksicek
Joshua R. Nahum
Susan H. Neller
Aidan J. Shepherd
Rosanne Singer and Steve Mencher
Bryan Taylor
Richard K. Thomas
Donald K. Topliff
Aman Yadav and Emily C. Bouck
Craig W. and Kathleen D.Zerkle
Frederick P. Zirm and Robinwyn D. Lewis
Contributions made to the Honor/Memorial Giving Program offers you a way to honor any important occasion, including birthdays, weddings, and anniversaries. It is also a special way to remember those who are no longer with us.
The honoree will receive a beautiful card notifying them of your thoughtful gift. Any contribution of $50 or more will be listed in our program all season long (July 1 through June 30).
In Honor of Ms. Teriah N. Fleming
Prof. Kirk A. Domer
Dixie Durr
The Dixie Durr Scholarship Fund
Virginia E. Albright
The Virginia Albright Acting Scholarship Fund
Gretel Greist Rutledge
The Frank C. Rutledge Scholarship in Theatre
The Gretel Geist Rutledge Annual Student Awards for Design Excellence in Theatre Production
Selma Hollander
The Stanley and Selma Hollander Endowed Graduate Fellowship In Theatre
Mary Culpepper
The Barbara Hacker Baldwin Theatre Scholarship