JANE AUSTEN’S PERSUASION

Adapted for the Stage by: Melissa Leilani Larson
Directed by:
Daniel T. Smith
Location: Pasant Theatre, Wharton Center for Performing Arts
Dates: April 14 – 19, 2026
Run Time: 2 hours and 15 min
+ 15 min intermission
Content Notice: Prop firearm (rifle) brought on stage. It does not fire. Brief lightning (strobing light) cue.

Featuring Jane Austen’s signature wit and charm, this adaptation of her last completed novel reflects on matters of love, memory, and maturity. Persuaded in her youth to reject young Frederick Wentworth’s marriage proposal, Anne Elliot has not yet found a more suitable match. As the only truly sensible member of her immediate family, Anne shepherds her father and sisters through financial difficulties and medical concerns amid much letter-writing and secret-sharing. When Frederick returns as Captain Wentworth after achieving maritime success, he and Anne may have a second chance at love. Will they take the leap?

DIRECTOR'S NOTE

This is my third opportunity to direct a Jane Austen adaptation at MSU, having previously worked on Pride and Prejudice in the Fairchild Theatre and Sense and Sensibility for Summer Circle. Persuasion tends to be a favored title for devoted Janeites, and many chapters of JASNA (The Jane Austen Society of North America) are hosting reading groups featuring the novel in 2026 in preparation for that organization’s annual meeting focused on the novels that take place in and around Bath. Austen’s last novel, published posthumously, Persuasion is the story of Anne Elliot, convinced in her youth to break off an engagement to Frederick Wentworth due to his uncertain prospects. The novel begins in the summer of 1814 around the time of Frederick’s return from the Napoleonic Wars having reached the rank of Captain in the British Navy, and concludes in February 1815 just prior to Napoleon’s escape from exile.

Melissa Leilani Larson’s inventive adaptation features memories of Young Anne and Young Frederick, as Anne and Wentworth recall the summer of 1806 and the events of their courtship. I have wanted to direct this script since I first read it via the New Play Exchange because it beautifully captures Austen’s themes of patience, second chances, and maturity without sacrificing the satirical portrayals of Anne’s superficial and supercilious family members. This production leans into some of the script’s cinematic qualities: with 79 scenes (by my count), it is important to maintain a constant flow. While the story remains grounded in its historical period, we have explored some contemporary resonances. Captain Benwick “mansplains” Byron’s poetry to Anne, rendering him less desirable to her as a suitor. Because Austen gives us birth dates for the Elliots on the first page of the novel, we were able to identify astrological signs for Sir Walter (Pisces), Elizabeth (Gemini), Anne (Leo, perhaps surprisingly), and Mary (Scorpio). Water is an important element in the play, with naval ships, the seaside town of Lyme Regis, and discussion of “taking the waters” in Bath. But other elements also resonate: the airy Elliots contrast with the earthy Musgroves (often falling from high places). Benwick and Louisa demonstrate a mutable fluidity that frustrates the more fixed and grounded Captain Harville and baffles fiery Wentworth. Anne is attracted to Wentworth’s fire.

“And how should a woman in my position find happiness?” asks Anne near the beginning of the play. This is a central dramatic question. Though Anne initially rejects Frederick’s advice to see the world, her later travels away from Kellynch Hall allow her to develop new perspectives. As she becomes increasingly disillusioned with her family’s values related to social hierarchy, her definition of “home” changes from a stately manor to a feeling of love and security.
Dan Smith, Director

DRAMATURG’S NOTE

When I found out I was chosen to be a part of Persuasion as the Dramaturg for this production, I was ecstatic. My background, apart from theater, is reading and analyzing literature. I had both read and analyzed Persuasion–both book and play–prior to the production of the show, and it left a mark both academically and personally. From an academic standpoint, this is a well-structured and linear story about how a placement on socioeconomic values, when emphasized, can obstruct genuine connections both romantically and platonically. And, personally, I resonated with the internal values and themes of this story; specifically, the impact of regret. From experience, I have had the privilege of hearing stories from younger and older individuals who talk about regret within love and letting someone go due to the influence of family, socioeconomic, and internal conflicts. Because of this, I think it’s important to take a step back and notice the beauty and power of human connection. And, most importantly, the power of love. While this is the theme that spoke to me the most, Persuasion raises many other important ideas, not limited to character authenticity and superficiality, second chances, and the role of patience.
I hope as you watch this production, you will be persuaded by the story, design, acting, and other elements of this show to explore other works from Jane Austen. My personal favorites include Emma and Pride and Prejudice.
– Ashley Romo, Dramaturg

SPECIAL THANKS

Dr. Jennifer A. Kokai, MSU Friends of Theatre

CAST

  • Young Anne
    Arielle Olkhovsky
    Young Frederick
    Ben Larson
    Anne Elliot
    Karen Law*
    Lady Russell
    Alex Spevetz
    Sir Walter Elliot
    Grant Roodbeen
    Elizabeth Elliot
    Ellena Guinn
    Mrs. Clay
    Kellie VerWoert
    Mary (Elliot) Musgrove
    Lexa Busch
    Louisa Musgrove
    Maddie Affer
    Henrietta Musgrove
    Tasiyah Hampton
    Charles Musgrove
    Nick Torres*
    Captain Frederick Wentworth
    Andrew Keller*
    Mr. William Elliot
    Charles Sparrow
    Captain Harville
    Zachary Barker
    Captain Benwick
    Matthew Immel
    Mrs. Smith
    Abby Bell
    Understudies
    Allysha Ghenciu (Anne, Young Anne, Henrietta)
    Kellie VerWoert (Mrs. Smith)

    *denotes Master of Fine Arts Candidate

CREATIVE TEAM

    • Choreographer
      Margaret McNamara
      Production Stage Manager
      Kate Shaffer
      Scenic Design
      Abigail Gracey*
      Costume Design
      Billy Bywater*
      Sound Design
      Luis Antonio Guzman*
      Lighting Design
      Harmony Lindstrom*
      Props Designer/Manager
      Bruce Kearns
      Makeup and Hair Design
      Billy Bywater*
      Media Design
      Sean Wilson & Alison Dobbins
      Charge Artist
      Camron Rost
      Media Engineer
      Brandon McDuff*
      Intimacy and Fight Director
      Alexis Black
      Assistant Intimacy Director
      Saylor Amos
      Assistant Director
      Olivia (Via) Bridges
      Margaret McNamara
      Dramaturg
      Ashley Romo
      Stage Manager
      Emma Jestila
      Assistant Stage Manager
      Alex Vincent
      Kyle Angiolino
      Assistant Sound Designer
      Macarthy Brown
      Assistant Charge Artist
      Annie Shereda
      Assistant Props Designer/Manager
      Daniel G. Jones

      *denotes Master of Fine Arts Candidate

PRODUCTION TEAM

  • Department of Theatre Chairperson
    Kirk Domer

    Production Manager
    Chloe Seare

    Director
    Dan Smith

    Technical Director
    DJ Selmeyer

    Associate Technical Director and Scene Shop Manager
    Levi Galloway

    Assistant Technical Director and Head Carpenter
    Marc White

    Production Stage Manager
    Kate Shaffer

    Stage Manager
    Emma Jestila

    Assistant Stage Manager
    Kyle Angiolino

    Assistant Stage Manager
    Alex Vincent

    Costume Shop Manager
    Angie Wendelberger

    Fiscal Officer
    Sara Allison

    Office Operations
    Kath Clark

    Lighting Board Op
    Julien Brinker

    Sound Board Op
    Ava Mazilauskas

    Media Board Op
    Savannah Jordan

    Deck Crew Head
    Westley Nothstine

    Costume Crew Head
    Emma McRae

    Production Photography
    Raymond L. Black Photography
    Lighting, Media, Sound Shop Employees and Students
    Brandon McDuff*, Luis Antonio Guzman*, Harmony Lindstrom*
    Scene Shop Employees, Students, and Volunteers
    Shea Snow*, Abigail Gracey*, Julie Clampitt, Emma Jestila, Matty D. Peterson, Sanna Sippola, Bruce Kerns, Kyle Angiolino, Jacques Corpel, Amelia Smallfield, Alison Mastee
    Scenic Painters
    Elliott Bishop, Julie Clampitt, Sophie Lee, Shea Snow
    Stage Crew
    Elliot Bishop, Mylah Dorsey, Myleigh Dorsey, Curtis Kent, Kaden Kouyoumjian, Sophie Lee, Anya Leggett, Henry McDougall, Addison Meredith, Hope Remijan-Toba, Alivia Rivard, Gracelyn Smith, Joanna Spencer

    Faculty Mentors:
    Stage Management
    Tina M. Newhauser

    Costume Design/Makeup
    Karen Kangas-Preston

    Scenic Design
    Ranae Selmeyer

    Scenic Art
    Ranae Selmeyer

    Prop Design
    Ranae Selmeyer

    Sound Design
    Lucas Nunn

    Lighting Design
    Shannon Schweitzer

    Media Design
    Alison Dobbins

    Dramaturgy
    Dan Smith

    Intimacy/Fight Direction
    Alexis Black

BIOGRAPHIES

MADDIE AFFER (Louisa Musgrove) Big Rapids, MI; Senior BFA Acting Major, Minor in Musical Theatre.  Recently, her credits with MSU Department of Theatre include Chemical Imbalance: A Jekyll and Hyde Play (Ambrosia Jekyll), Decision Height (Norma Jean), Inherit the Wind (Mrs. Brady), and Horse Girls (Margaret) with MSU’s Second Stage Productions. Maddie has always loved the works of Jane Austen, and it’s a dream for her to be able to bring one of her stories alive on stage. She would like to thank her friends, family, and professors for their endless support throughout her years here at MSU.

KYLE ANGIOLINO (Assistant Stage Manager) Ridgewood, NJ; Senior, BFA Stage Management & Minor in Arts & Cultural Management. Kyle is super excited to work on this show. Some of his recent credits include Seagull/Stupid Fucking Bird (Production Stage Manager), Inching Towards Yeolha ( Assistant Stage Manager/Sub Showcaller/Fight Capt),  P\A Devised (Production Stage Manager), and Spring Awakening (Assistant Stage Manager). He would like to thank his close friends and family for supporting him every step of the way during this crazy adventure.

ZACHARY BARKER (Captain Harville) East Lansing, MI; Sophomore, BFA Acting, Business. Some of his credits are The Seagull (Trigorin), 9 to 5 (Ensemble/ Understudy for Hart), MSU Unscripted (Himself), Rocky Mountain High (Ensemble), In Emily’s Words (Ensemble). Zach would like to thank  Daniel T. Smith for this opportunity. He would also like to thank his family and friends for their love and support.

ABBY BELL (Mrs. Smith) Warren, MI; Senior BFA Acting, BA Humanities Pre-Law, & Minor in Arts & Cultural Management. Her most recent shows include The Grown-Ups (Maeve), and The Yellow Boat (Eddy, Chorus 2). Abby is excited to end her senior year with Persuasion, performing on stage at the Wharton Center for the first time. She’d like to thank everyone who’s supported her since she started theatre and she cannot wait for what’s to come next.

OLIVIA (VIA) BRIDGES (Assistant Director) Ottawa Hills, OH; Freshman, BFA Acting. Via is ecstatic to work on her first-ever Michigan State University Department of Theater production. Some of her recent credits include Frozen Jr. (Student Director), The Little Mermaid Jr. (Associate Director), and The SpongeBob Musical Youth Edition (Associate Director). She would like to thank her parents for always supporting her.

MACARTHY BROWN (Assistant Sound Designer) Wixom, MI; Sophomore, BFA Theatre Design. Macarthy is thrilled to be assistant designing on their third main stage MSU production, and a first time in sound design. Some of their previous credits include Inching Towards Yeolha (Asst. Properties Designer) and The Seagull (Properties Designer). They would like to thank Luis and Lucas for their guidance and collaboration and their family and friends for their support.

LEXA BUSCH (Mary Musgrove) Reed City, MI; Senior double major in BFA Acting & Filmmaking with a minor in Creative Writing. Recent credits at MSU include Othello (Emilia), Decision Height (Ziggy Lewis), and Inherit the Wind (Bertrum Cates). Second Stage Production credits include Stop Kiss (Callie) and Putnam County Spelling Bee (Logainne “Schwarzy”). As a long-time fan of Austen’s novels, Lexa is honored to be a part of Persuasion and bring Mary to life on stage. She’d like to thank her roommates, family, professors, and cat for their constant support during her collegiate creative endeavors!

ALLYSHA GHENCIU (Anne/Young Anne/Henrietta Understudy) Westland, MI; Sophomore, BFA Acting/Linguistics/Cognitive Science minor/Musical Theatre minor. Her recent productions include Othello (Gratiano), Ride the Cyclone (Jane Doe/Constance/Ocean Swing), and A Matter of Life and Sketch (Sophia). She also had the pleasure to co-direct Hamlet last fall. She thanks her friends, family, and partner for being incredibly supportive and putting up with her insanely busy schedule. She sends her love to all of them.

ELLENA GUINN (Elizabeth Elliot) West Bloomfield, MI; First Year BFA Acting. Select previous credits include Clue (Miss Scarlett), A Midsummer Night’s Dream (Titania),  Matilda The Musical          (Miss Honey), 1984 (The Loudspeaker), and Fault (Darcy). Ellena has had a passion for the stage since the age of five, and has never looked back. She is thrilled to continue honing her craft as an acting student at MSU, and is overjoyed to be a part of this production of Persuasion. Most recently, Ellena has booked two professional film projects and is eager to keep building her career both on stage and on screen. She is endlessly grateful to her Mom and Dad, whose unconditional love and support have been the foundation of everything she does.

LUIS ANTONIO GUZMAN* (Sound Design) Lima, Peru; First-Year MFA Design Candidate in Sound and Media. Luis is thrilled to be designing his first MSU Department of Theatre Production. Some of his most recent roles include: Frozen (Assistant Media Designer), at Lebowsky Center and Brighton Center for The Performing Arts; Brooklyn’s Bridge A New Musical (A2), at Dr Phillips Center; Food & Wine Festival (A1), at Busch Gardens Tampa Bay; Danny Ocean (Stage Crew), at Hard Rock Live; and The Little Mermaid (Sound Designer), at Tibbits Opera House.

TASIYAH HAMPTON (Henrietta Musgrove) Detroit, MI; Junior, BFA Acting and Advertising double major. Previous MSU credits include Stupid Fucking Bird (Nina), Decision Height (Rosalie), Blackness Reimagined (Olamina), and The Unscripted (Various). Outside of MSU, she appeared in the feature film Blindly in Love (Supporting role). She would like to thank her family and friends for their continued support.

MATTHEW IMMEL (Captain Benwick) Howell, MI: Junior, BFA Acting. Recent credits include Inching Towards Yeolha (Boo-Hyeh), as well as several roles in Second Stage Musical Theatre’s Now Rolling, and They’re So Dramatic’s Villains cabaret. Though still relatively new to the Theatre scene, Matthew hopes to do Jane Austen’s beautiful character writing justice with his own unique creative voice. He would like to thank his family and friends for their steadfast support, the entire Department of Theatre at MSU for welcoming him into their passionate and talented community, and all those who have guided him on this journey (you know who you are) – He wouldn’t be where he is today were it not for you all.

EMMA JESTILA (Stage Manager) Ishpeming, MI;  Junior BFA Stage Management, Arts & Culture Management Minor. Some of Emma’s previous productions here at Michigan State University would include Taking Off! (Stage manager) and Inching Towards Yeolha (Assist. charge artist). Emma was also lead carpenter for Native Gardens at Peterborough Players this past summer. They would like to thank their family and friends for their amazing support!

ANDREW KELLER* (Captain Wentworth) Toledo, OH; Second-year MFA Acting candidate. Recent credits include Othello (Iago), Inching Toward Yeolha (Kyo-Choong), Thinner than Water (Benjy), and A Beautiful Day in November (Granddada) here at MSU, Ada and the Engine (Lord Lovelace) at the Clague Playhouse, and One Man, Two Guvnors (Alan) at Blank Canvas Theatre. Thanks to Dan and the entire creative team for this wonderful opportunity, as well as the entire MFA cohort for their constant support and joy.

ANNA ZACCARI (Jane u/s and Gabby u/s) Effingham, IL; Sophomore, BFA Acting, Musical Theatre & Dance Minors. Anna’s most recent credits include Chemical Imbalance (Euphronia), 9 to 5: The Musical (Ensemble), and School of Rock  (Marcy/Student Dance Captain). She is also the choreographer for Second Stage Musical Theatre and Co-Social Media Chair for Wharton Center Student Marketing Organization. Anna would like to thank her family, friends, and her boyfriend Henry for all of their unconditional love and support. Instagram: @annamzaccari

KAREN LAW* (Anne Elliot) Portland, OR; 2nd year MFA Acting Candidate. Karen’s recent credits at MSU include Inherit the Wind (Matthew Brady), Decision Height (Alice Hawkins) and Chemical Imbalance (Ivy); and at Summer Circle Theatre Fools (Snetzky) and Elephant & Piggie: We’re in a Play (Penguin).  Some of her favorite roles from the past are The King and I (Tuptim) Thinner than Water (Renee). Karen  is so grateful to get to work with such a collaborative and playful team of artists.

HARMONY LINDSTROM* (Lighting Designer) Manistee, MI; First Year MFA Candidate in design. Recent credits include Echoes From the Red Cedar (Lighting Design), Into the Woods (Lighting Design), and You on the Moors Now (Set and Lighting Design). After designing shows for the Barker Playhouse in Providence, RI for the past several years, Harmony is looking forward to seeing their first main stage show at MSU come to life onstage! They would like to thank their amazing partner, cats, and the entire graduate cohort for all their amazing support during this design and tech process.

MARGARET MCNAMARA (Assistant Director) West Branch, MI; Freshman, BFA Acting & Minors in History, Musical Theater, and Arts & Cultural Management. Margaret is thrilled to work on this show. Some of her previous credits include Lion King Jr. (Choreographer/Assistant Director), Madagascar Jr. (Choreographer/Assistant Director), and Moana Jr. (Director). She would like to thank all of her friends and family, especially her mom, for supporting her and reminding her that she can do anything.

ARIELLE OLKHOVSKY (Young Anne) Commerce Township, MI: Freshman BFA Acting major. Persuasion is Arielle’s first show at MSU, and she is so excited to kick off her collegiate acting career with such an incredible production! Some of Arielle’s favorite theatre credits include Shakespeare in Love (Lord Wessex), Museum (Barbara Castle), Sense & Sensibility (Mrs. Dashwood), and Brighton Beach Memoirs (Laurie Morton). Along with her theatre endeavors, Arielle has been acting in films professionally since she was five years old. She would like to thank her family for their unconditional support, her roommate for running lines with her, and the entire cast and crew for making her first MSU show so wonderful.

ASHLEY ROMO (Dramaturg) Detroit, MI; Junior, BA Philosophy, BA Theatre. Some of her previous productions include Live Studio…(Assistant Costume Designer), Othello (Dramaturg), 9 to 5 (Assistant Paint Charge), Inherit The Wind (Assistant Props Designer). She would like to thank her family and friends for their endless support in her journey in theater.

GRANT ROODBEEN (Sir Walter Elliott) Rochester, MI; Sophomore, Film Studies. Grant is ecstatic to be performing in his first mainstage production at MSU. Previous credits include The Yellow Boat (Father), Grease (Roger), and Beauty and the Beast (Maurice). Grant would like to thank his family for their continued support of his pursuit of a life in the arts.

CAMRON ROST (Charge Artist) Livonia, MI; Junior, BFA Theater Design: Scenic and Lighting, minor in Graphic Design. Camron is thrilled to be the Charge Artist for Persuasion. You could have seen his work in past shows such as Echoes from the banks of the Red Cedar (Scenic/ Properties Designer/Coordinator), Othello (Lighting Designer), and 9 to 5 (Properties Designer) with the Department of Theater, and multiple student productions. @camron_rost Website Camronrost.com

KATE SHAFFER (Production Stage Manager) Bloomfield Hills, MI; Senior, BFA Stage Management, BA Marketing. Kate is very excited to be working on this production with such an amazing cast, crew, and production team around her. Previous credits include Grapes of Wrath (Asst. Stage Manager), Orchesis: Omorfia (Stage Manager) Seagull/STUPID F**KING BIRD (Sub-Show Caller). She would like to thank her family and friends for always supporting her theatre journey.

CHARLES SPARROW (William Elliot) East Lansing, MI; Freshman, Arts and Humanities/International Relations. This is Charles’ first show with Michigan State’s Department of Theater and he is quite excited. He would like to give thanks to his parents, brothers, dogs, Director Dan Smith and the rest of the production team, and Ms. Thompson for taking a chance on me.

ALEX SPEVETZ (Lady Russell) Lake Orion, MI; BFA in Acting & BA in Creative Writing. Alex has recently been in The Seagull (Dr. Dorn), Grown Ups (Aidan), and What If Wilhelmina (Wilhelmina 1) on stage. They have also acted on screen in Tripp and Chadwick Get the Bunny Back, T-30, and Instant Replay. Alex loves improv, performing with After School Special in Detroit, Grand Rapids, Lansing, and Chicago. They are excited to bring life to Lady Russell in this heartfelt production. Alex wants to thank their partner Tony, family, and friends for their continued love and support. 

NICK TORRES* (Charles Musgrove) Charleston, SC; Second-year MFA Acting candidate. Recent credits include Othello (Roderigo), 9-5 The Musical (Franklin Hart Jr.), Thinner than Water (Mark), and Inherit The Wind (Henry Drummond) here at MSU, Andrew Lippa’s Wild Party (Eddie) at the Queen Street Playhouse, and SHIP (Jeremiah) at The Void Theatre Company. He would like to thank his partner, Carsyn, his two doggies and cat, and his MFA Cohort for helping him power through the Spring.

KELLIE VERWOERT (Mrs. Clay & Understudy for Mrs. Smith) Saline, MI; Junior double major BFA Acting & Psychology. Recent credits at MSU include The Seagull (Nina & Marina Understudy), Decision Height (Edith ‘Eddie’ Harknell & Ensemble Understudy), and Inherit the Wind (Swing). She also assistant directed both Horse Girls with Second Stage Productions & Women with They’re So Dramatic. She has been a part of several short films recently, including two 48-hour film contests titled Red Elephant and Through the Keyhole with Frameworks Productions: acting and writing. She is a member of the After School Special improv troupe with Second Stage Productions & you can catch her doing stand-up comedy too! She recently signed on with Wink Talent Agency in Royal Oak, MI. She would love to thank her family and her found family here at MSU for the endless support, laughter, and love.

ALEX VINCENT (Assistant Stage Manager) Gaylord, MI; Junior, BFA Stage Management. Alex’s recent productions include Muses and Musicals Cabaret (Stage Manager), 24 Hour Theatre (Costume Designer), Boy Gets Girl (Assistant Stage Manager), Chemical Imbalance (Assistant Stage Manager), and A Matter of Life and Sketch (Costume Designer). They are also co-president of MSU’s Science Theatre club. They would like to thank Kate, Emma, Kyle, Kennedy, and all of their friends for being the coolest and awesomest people ever! They hope that this is your most favorite show you have ever seen!

SEAN WILSON JR (Co-Media Designer), West Bloomfield, MI; Sophomore, BFA Theatre Design & Technology. His recent credits include The Guy Who Didn’t Like Musicals (Lighting Designer), Echoes From the Banks of the Red Cedar (Lighting Designer), Into the Woods (Sound Designer), and The Seagull (Asst. Lighting Designer). He would like to thank his family and friends for their love and support.

ABIGAIL GRACEY* (Scenic Designer), Murfreesboro, TN; Second-year MFA candidate with an emphasis in Scenic Design. Abigail is so happy to be part of the design team for Persuasion. Her recent design credits include The Seagull (Scenic Designer), Elephant and Piggie’s We Are In A Play (Scenic Designer), I and You (Scenic Designer), and Fools (Scenic Designer). She would like to thank her friends, family, and faculty for their unwavering support and guidance.

MICHIGAN STATE UNIVERSITY LAND ACKNOWLEDGEMENT

We collectively acknowledge that Michigan State University occupies the ancestral, traditional, and contemporary Lands of the Anishinaabeg – Three Fires Confederacy of Ojibwe, Odawa, and Potawatomi peoples. In particular, the University resides on Land ceded in the 1819 Treaty of Saginaw. We recognize, support, and advocate for the sovereignty of Michigan’s twelve federally-recognized Indian nations, for historic Indigenous communities in Michigan, for Indigenous individuals and communities who live here now, and for those who were forcibly removed from their Homelands. By offering this Land Acknowledgement, we affirm Indigenous sovereignty and will work to hold Michigan State University more accountable to the needs of American Indian and Indigenous peoples.

Friends of Theatre is a membership organization promoting, encouraging and enhancing activities of the MSU Department of Theatre. We organize events and programs that expand the community experience of theatre. We also create fund-raising opportunities and promote improvements in the programs and facilities of the MSU Department of Theatre. How can you join?  Make a donation to the Michigan State University Department of Theatre and you will become a most welcome member.
Click here
to learn more.

We would like to express our gratitude to the following friends who have generously supported the MSU Department of Theatre.
If we have inadvertently left your name off this list, please accept our apologies and contact us so we may make the correction. This list is current as of 9/19/25.

Named Summer Circle Courtyard Donors
Sam and Mary Austin

Selma Hollander
Linda Nelson
Gretel Geist Rutledge
Jane K. Vieth and Alan P. Suits

Diamond ($2,500+, Season Sponsors)
Richard J. Williams, Jr. and Karen B. Williams

Dr. Lauren J. Harris
Andrea S. Rutledge and Richard Kief
Diana G. Somerton
Linda C. Stone, M.D.

Platinum ($1,000-$2499)
Sam M. Austin, Ph.D. and Mary E. Austin

Katharine M. Dennis, Ph.D.
John J. Forsyth, Ph.D. and Gretchen L. Forsyth
Barbara B. Free
David A. and Debra R. Gift
Hari E. Kern
Franklin Q. and Barbara J. Blizzard
John I. Nichols
Prof. Robert J. Roznowski
Dr. Dennis R. and Sarah J. White

Gold ($500-$999)
Robert M. Andrews

Dana E. Brazil
Barbara L. and Dr. Steven J. Bursian
Donna M. Fulton, M.D.
Karen M. Kangas-Preston
Stephen F. Kiersey
Jean Lyle Lepard
Robert W. Matson
Karen N. and Charles H. Moellenberg, Jr.
Patricia K. Munshaw

Silver ($250-$499)
Philip A. and Jacqueline E. Babcock
John F. Baumgart
Margaret W. Bird
Craig J. Gunn
Lee E. Henry
Dr. David D. Horner
Linda D. and Ross Howard
Dr. Gerald A. and Karen A. Jennings
Sylvia S. and Robert A. Stevens

Bronze ($100-$249)
Dennis P. Allen, III and Michelle K. Allen
Dr. James R. and Susan F. Bence
Beth A. and Joseph G. Bonsall, J.D.
Michael G. Burry, D.O. and Tina M. Burry
Larry L. Carey, Ph.D.
Susan Davis
William H. Foster and Connie J. Foster
Ronald L. and Alice L. Gainer
Karen T. Gilluly
Lynne A. Harned, Ph.D. and Kenneth Harned
Roger W. Harris
Prof. Nicholas A. Hays
Katherine L. and Dr. Larry M. King
Marla K. and Dale Lambert
Thomas L. Lynch
Michael B. and Rebekah J. McKenney
Prof. Deric W. McNish
Mary T. and Dr. Ulrich Meierfrankenfeld
Janice L. Mernitz
Dr. Vicki A. and Dr. Richard J. Miksicek
Tina S. and Edward A. Oxer, Ph.D.
Hedy A. Popson and William Kahlert
Rosanne Renauer, Ph.D.
Cathy S. Roth
Prof. Jeffrey H. Schenker and Michelle M. Traven
Leslie Shortlidge
Carol A. Siemon
Prof. Jaideep T. and Elisabeth R. Singh
Robert T. Spagnuolo, C.P.A. and Wendi K. Spagnuolo
Katja S. and Jeffrey D. Thomakos
Elizabeth C. Thomas
Richard K. Thomas
Dr. Ewen C. and Zora I. Todd
Donald K. Topliff
Joseph S. and Cele F. Tuchinsky
Prof. Blake J. Williams
David W. Wolski and Jean K. Wolski, Ph.D.

Pewter ($50-$99)
Elizabeth A. Baker Newell and Robert H. Newell
Jeanie E. Croope
John A. De Meo
Leslie Delemeester
Jeff S. Lambert
Elizabeth S. Lepak
Susan M. Pierson
Frederick P. Zirm and Robinwyn D. Lewis

Friends (<$50)
Prof. Mark L. Axelrod and Marissa A. Miller, D.O.

Erica Boyko
David Brown
Hui Hua Chua
Jeffrey S. and Michele M. Downes
Buu-Tran T. Duong
Louisa S. Lee, II and Dr. Kin Sing S. Lee
Anna L. Morreale
Susan H. Neller
Marillyn Z. Owens
Jamie L. Prevo
Isaac L. Record, Ph.D. and Dr. Eleanor Louson
Alma L. Roberts
Alaina Simpson-Steele
Katie M. and Bryan M. Van Dorn
Barbara S. Wepman
Mary Kay Wolfe

DISTINGUISHED DEPARTMENT OF THEATRE SCHOLARSHIP DONORS

Dixie Durr
The Dixie Durr Scholarship Fund
Virginia E. Albright
The Virginia Albright Acting Scholarship Fund
Gretel Greist Rutledge
The Frank C. Rutledge Scholarship in Theatre
The Gretel Geist Rutledge Annual Student Awards for Design Excellence in Theatre Production
Selma Hollander
The Stanley and Selma Hollander Endowed Graduate Fellowship In Theatre
Mary Culpepper
The Barbara Hacker Baldwin Theatre Scholarship