OTHELLO

Shakespeare

Written by: William Shakespeare
Edited by: Barbara A. Mowat and Paul Werstine
with Michael Poston and Rebecca Niles
Directed by: Ji Won Jeon
Location: Pasant Theatre, Wharton Center for Performing Arts
Dates: November 7 – 16, 2025
Run Time: 2 hours, 50 mins (with 15 min intermission)
Content Notice: Strobing lights, fog/haze, gunshot sound effects,
depictions of suicide, and relationship/domestic violence

What happens when fear takes control? Set in modern-day America, this bold new production of Othello brings Shakespeare’s searing tragedy into our world of political upheaval and cultural reckoning. Through the lens of diverse immigrant experiences—Middle Eastern, African American, Asian American, Latinx, and beyond—we confront the ways fear of the unknown fuels hatred and violence. In a time of global crises, how do we navigate truth, trust, and power? We invite the audience to explore these urgent questions and bring this electrifying vision to life.

DIRECTOR'S NOTE

For centuries, Othello has often been interpreted as the story of a man who is manipulated by Iago, blinded by jealousy, and driven to commit a terrible act. But in this production, I wanted to look deeper—to ask where Othello’s rage and hatred truly come from. What turns him into the “green-eyed monster” consumed by jealousy and fury? Beneath all anger and hatred lies fear. And how we face that fear is not just a personal issue—it reflects the wounds of our society.

Just a few years ago, the world was paralyzed by fear of something invisible: the coronavirus. That fear quickly turned into anger, and anger into hatred. In the United States, public figures and news outlets called it the “Chinese virus,” fueling a wave of anti-Asian racism and violence. Asians were spat on, attacked, and blamed for a global crisis they did not create.

Today, fear continues to shape our world. Immigrants are accused of “ruining” the country or “stealing” jobs—rhetoric that leads to hate crimes, unjust detentions, and deep divisions. In a nation built by immigrants, many still live in fear that one small mistake could destroy the lives they have built over decades.

Our society trembles with fear—fear of the unknown, of losing control, of losing power. But what happens when fear blinds us? When it transforms into hatred and violence? Is that truly the only way to confront what frightens us?

Through this production, I invite us all to reflect on these questions. How do we break the cycle of fear and hate that has repeated since Shakespeare’s time? And what values must we hold onto if we are to move forward—together?
Ji Won Jeon, Director

DRAMATURGY NOTE

Othello, written by William Shakespeare between 1602-1604, tells the story of a highly respected Moorish general in the Venetian army whose life unravels because of the influence and manipulation of his closest military comrade, Iago. People treat Othello as an outsider, and his relationships with the people around him and his work are slowly destroyed by jealousy, racism, and betrayal.

Originally performed in 1604 at the Whitehall Palace in London, the play was originally titled “The Tragedy of Othello, the Moor of Venice” but later shortened to “Othello”. The term “Moor” was a historical term used to describe North Africans of mixed Berber and Arab descent. In this play, “Moor” is used as a derogatory term to exclude Othello, making him feel like an outsider in Venetian society. This othering continued as white actors played the role of Othello in blackface, even after Ira Aldridge became the first Black actor to take on this role in professional theatre during the nineteenth century.

Othello remains one of Shakespeare’s impactful tragedies because it explores themes of racism, fear, jealousy, misogyny, and the fragile constructs of manhood and honor. As you watch this production of Othello, consider how these themes are present in our current world and how they challenge us to confront these issues
-Ashley Romo, Dramaturg

SPECIAL THANKS

Jyotsna Singh

Ty M. Prewitt and BellaTEX Stage Curtains for the generous donation of materials used in the construction of scenic elements for this production.

CAST

  • Chisom Anwunah: Othello
    Michael Singler: Understudy Othello
    Rileigh Belle Wine: Desdemona, Sailor
    Andrew Keller*: Iago
    Lexa Busch: Emilia, Servant 1, Senator 1
    Hugh Watters: Cassio
    Laini Seltzer: Bianca, Montano, Attendant
    Nick Torres*: Roderigo, Duke of Venice
    Jhon Govaere: Brabantio, Gentlemen 1, Herald
    Thomas Evansky: Lodovico, Officer, Messenger, Gentlemen 2
    Allysha Potts: Gratiano, Servant 2, Senator 2, Gentlemen 3
    Haley Tamtoro: Officer; Understudy Desdemona, Sailor

    *denotes Master of Fine Arts Candidate

CREATIVE TEAM

  • Director: Ji Won Jeon
    Assistant Director: Brandon McDuff*
    Production Stage Manager: Jackson Cosmé-Brooks
    Scenic Design: Ranae Selmeyer
    Costume Design: Ryan Scott Long*
    Sound Design: Brandon McDuff*
    Composer: Cole Brown
    Lighting Design: Camron Rost
    Props Designer/Manager: Dan Jones
    Media Design: Ranae Selmeyer, Alison Dobbins
    Charge Artist: Julie Clampitt
    Media Engineer: Alison Dobbins, Nathan Zarkowsky
    Intimacy and Fight Director: Alexis Black
    Voice Coach: Deric McNish
    Dramaturg: Ashley Romo
    Assistant Stage Manager: Katelyn Kraemer
    Assistant Stage Manager: Eleanor Rossini
    Assistant Technical Director: Ally Doederlein
    Assistant Scenic Designer: Shea Snow*
    Assistant Sound Designer: Kyle Angiolino
    Assistant Charge Artist: Amelia Smallfield
    Assistant Props Designer/Manager: Amelia Lau

    *denotes Master of Fine Arts Candidate

PRODUCTION TEAM

Department of Theatre Chairperson: Kirk Domer
Production Manager: Chloe Seare
Director: Ji Won Jeon
Music Director: Dave Wendelberger
Technical Director: DJ Selmeyer
Scene Shop Manager: Levi Galloway
Head Carpenter: Marc White
Costume Shop Manager: Angie Wendelberger
Fiscal Officer: Sara Allison
Office Operations: Kath Clark
Head Electrician: Matty D. Peterson
Lighting Board Op: Noah Trapp
Sound Board Op: Taryn Stone
Sound Mixer: Aryne Drews
Deck Crew Head: Kellie VerWoert
Costume Crew Head: Alexandra Spevetz
Media Board Op: Jacques Corpel
Production Photography: Raymond L. Black Photography

Lighting/Media/Audio Shop Employees and Students:
Audrey Theis, Angelina Franzese, Camron Rost, Sean Wilson Jr., Winter Livingston, Nathan Zarkowsky, Matty D. Peterson, Brandon McDuff*, Harmony Lindstrom*, Luis Guzman Galdos*

Costume Shop Employees and Students:
Maya VanNoord, Julie Clampitt, Mary Grace Styblo, Ashley Romo, Ryan Scott Long*, Billy Bywater*, El Stucker*


Scene Shop Employees, Students, and Volunteers:
Shea Snow*, Abigail Gracey*, Julie Clampitt, Emma Jestila, Matty D. Peterson, Sanna Sippola, Xander Adamski, Emma McRae, Bruce Kerns, Kyle Angiolino, Emily Semrau

Prop Artisans:
Scenic Painters: Macarthy Brown, Billy Bywater*, Abigail Gracey*, Shea Snow*, Ashley Romo, Camron Rost
Stage Crew: Matthew Immel, Sanna Sippola, Julien Brinker, Noah Savage
Costume Crew: Abigail Bell, Iris Widlansky, Lyric Williams, Charisma Holly, Elliot Leff, Braq Abdulmajeed

Faculty Mentors:
Stage Management: Tina M. Newhauser
Costume Design: Karen Kangas-Preston
Scenic Design: Ranae Selmeyer
Scenic Art: Ranae Selmeyer
Sound Design: Lucas Nunn
Lighting Design: Shannon Schweitzer
Media Design: Alison Dobbins
Dramaturgy: Dan Smith
Intimacy/Fight Direction: Alexis Black

BIOGRAPHIES

KYLE ANGIOLINO (Assistant Sound Designer) Ridgewood, NJ; Senior, BFA Stage Management & Minor in Arts & Cultural Management. Kyle is super excited to work on this show. Some of his recent credits includes Seagull/Stupid Fucking Bird (Production Stage Manager)  Inching Towards Yeolha ( Assistant Stage Manager/Sub Showcaller/Fight Capt) 9 to 5 Musical (Assistant Sound Designer)  P\A Devised (Production Stage Manager) and Spring Awakening (Assistant Stage Manager). He would like to thank his close friends and family for supporting him every step of the way during this crazy adventure.

COLE BROWN (Composer) Cumming, GA; Teacher and Composer in the North Georgia Area. Cole Brown is a composer of various styles of work ranging from religious, concert, and theatrical musics. His most recent show was Young Harris College’s production of Shakespeare’s The Tempest. Cole is currently developing a portfolio in preparation for Grad School. He wishes to thank his dear friend, Brandon McDuff, for bringing him in to work on this show, it has been a truly wonderful process to watch unfold and a pleasure to work with such a dear friend.

LEXA BUSCH (Emilia) Reed City, MI; Senior, BFA Acting and BA Digital Storytelling double major with a minor in Creative Writing. Previous DoT credits include Decision Height (Ziggy Lewis) and Inherit the Wind (Bertrum Cates). MSU Second Stage Production credits include Stop Kiss (Callie) and Putnam County Spelling Bee (Loggiane “Shwartzy”). Lexa thanks all of those who have supported her along her artistic journey, especially her parents. She aims for this performance to encourage audiences to confront oppression and speak out against injustice, recognizing that our voices are more vital now than ever. Go vote!

JULIE CLAMPITT (Scenic Artist) Charlotte, MI; Senior, BFA Theatre Design. Past credits include Fools (Paint Charge), Inching Towards Yeolha (Properties Artisan), and A Beautiful Day in November… (Paint Charge). She would like to express her gratitude to Amelia S. for being an incredible collaborator, and to Ranae for her invaluable lessons and mentorship, both on this show and beyond.

JACKSON COSMÉ-BROOKS (Production Stage Manager) Holt, MI; Senior BFA Stage Management major, Arts & Cultural Management minor via the Honors College. Recent credits include I and You (Production Stage Manager), The Laramie Project (Stage Manager, Lighting & Sound Designer), and Pippin (Stage Management Mentor, Puppet Designer). His work would be impossible without his incredible support system. And his cats. Obviously.

THOMAS EVANSKY (Lodovico/Officer/Messenger/Gentleman 2/Attendant) Morristown, NJ; Senior, BFA Acting. Previous theatre credits include Inching Towards Yeolha (Ho-Cheh), A Beautiful Day… (#), Romeo and Juliet (Romeo), Little Women (Laurie), Waiting For Lefty (Dr. Barnes/Dr. Benjamin). Thomas is an actor/writer who loves to work on screen just as much as he does on stage. He would like to thank his cast, crew, and family for their constant support and tolerance. Stalk his Instagram! @thomas.evansky

JHON GOVAERE (Brabantio/Gentleman 1/Herald) Chelsea, MI; Senior, BFA Acting, Recent credits since returning to MSU include Inching Towards Yeolha (Guh-Boh). You may have also seen him in the Youth Playwrights Festival 2025 playing a multitude of different characters this past summer. He is excited to be performing at MSU and thankful for the opportunity to be working with an amazing cast and crew. He would like to thank his friends and family for their constant love and support.

DAN JONES (Props Designer) Flint, MI; Sophomore, BFA Theatre Design: Scenic and Properties. His favorite work has been for MSU’s Summer Circle Theatre as a Properties Designer for Fools, I and You, and Elephant and Piggie. When not designing for theatre, Dan can be found composing music, running D&D games, and dabbling in any form of art he can get his hands on. Dan would like to thank his friends, family, and community for supporting him in this career path, and is eternally grateful for the divine support that has made it possible.

ANDREW KELLER* (Iago) Toledo, OH; Second-year MFA Acting candidate. Recent credits include Inching Towards Yeolha (Kyo-Choong),Thinner than Water (Benjy) and A Beautiful Day in November (Granddada) here at MSU, Ada and the Engine (Lord Lovelace) at the Clague Playhouse, One Man, Two Guvnors (Alan) at Blank Canvas Theatre. Thanks to Ji-Won and the entire creative team for this incredible opportunity, as well as the entire MFA cohort for their guidance, support, and love.

KATELYN KRAEMER (Assistant Stage Manager) Macomb, MI; Junior, BA Theatre, BA Psychology, BA Arts and Humanities, Minor in Youth & Society, and in the Honors College. Her most recent credits include Beetlejuice jr. (Production Stage Manager), Frozen Kids. (Production Stage Manager), Queens (Director), and Defying Gravity (Production Stage Manager). Socials: @katiemack0301. Katelyn would like to thank her family and friends for their endless love and support. She is grateful to have worked on this production and hopes audiences leave considering how silence and stigma still shadow mental health today.

AMELIA LAU (Assistant Props Designer) Macomb, MI; Junior, Mechanical Engineering Major, Manufacturing Concentration, Theater Design Minor. Amelia would like to thank her family, friends, and community for their support through her artistic journey.

BRANDON MCDUFF* (Assistant Director/Sound Designer) Lansing, MI; Third-year M.F.A in Theatrical Sound and Media Design at Michigan State University. He is an award-winning Sound Designer and Composer with his most recent works being Wait Until Dark (Sound Designer/Composer) at The Lebowsky Center and Inching Towards Yeolha (Sound Designer/Composer), A Beautiful Day in November… (Media Designer), and Stevie and the Real World (Sound Designer/Composer) at MSU. He most recently worked at the Eugene O’Neill Theatre Center as the Audio Supervisor and has won awards for all of the shows he has worked on at MSU, including a USITT sponsored national sound design contest. He wishes to thank his wife and his two cats for their unwavering support.

ALLYSHA POTTS (Gratiano/Servant 2/Senator 2/Gentleman 3) Westland, MI; Sophomore BFA Acting major, Linguistics major, Cognitive Science minor. Allysha is thrilled to perform in her first Department of Theatre show. Other recent credits include A Matter of Life and Sketch (Sophia) and A Midsummer Night’s Dream (Hermia). She thanks her family, friends, and partner for their support in her theatrical endeavors.

ASHLEY ROMO (Dramaturg) Detroit, MI: Junior, BA Philosophy, BA Theatre, Minor in Chicano/Latino Studies. Ashley is thrilled to be a Dramaturg, this is her first Dramaturgical role in a Department of Theatre show! Some of her recent work include The Penguins (Actor), 9 to 5: The Musical (Assistant Paint Charge), Inherit the Wind (Assistant Props Designer), and MSU Unscripted (Actor). She would like to thank her family, friends, and faculty mentors for their endless support and guidance on this artistic journey!

ELEANOR ROSSINI (Assistant Stage Manager & Intimacy Captain) Chicago, Illinois; Sophomore BFA Stage Management & BA Management in the Honors College. Her most recent productions include Decision Height(Assistent Stage Manager), 9 to 5: The Musical(Properties Designer), and Stop Kiss(Production Stage Manager). She would like to thank her friends and family for their unwavering support of all of her pursuits.

CAMRON ROST (Lighting Designer) Livonia, MI; Sophomore, BFA Theater Design: Scenic and Lighting, minor in Graphic Design. Camron is thrilled to be the Lighting Designer for Othello. You could have seen his work in past shows such as 9 to 5 (Properties Designer), Inherit the Wind (Assistant Scenic Designer) and Unscripted (cast member) with the Department of Theater and multiple student productions with Second Stage Productions and They’re So Dramatic. He would like to thank Matty Peterson, Shannon Schweister, DJ Selmeyer, and the LMA shop Employees for all of the help and support that they have given. @camron_rost

RANAE SELMEYER (Scenic Designer) Holt, MI; Assistant Professor of Scene Design. Her most recent scenic designs include Come From Away (Saugatuck Center for the Arts), Baba ( Williamston Theatre),  Scrooge (Candlelight Dinner Playhouse, Johnstown CO),  A Little Night Music (MSU Opera Theatre). Upcoming projects include Dial M for Murder (Williamston Theatre), Matilda (Candlelight Dinner Playhouse). Ranae would like to thank her family for their unwavering support, and MSU students whose creativity inspires her every day.

LAINI SELTZER: (Bianca/Montano/Attendant) Birmingham, MI; Sophomore, BFA Acting major with a minor in Musical Theatre. Her recent DoT credits include 9-to-5: The Musical (Candy Striper/Ensemble) and MSU UNscripted (Performer). She also recently performed in Love Letter to Life Cabaret with SecondStage Musical Theatre. Additionally, she is a member of MSU’s State of Fifths Acapella.  She would like to thank the cast and crew for the wonderful environment they created while working on an old classic in a new way. She would also like to thank her friends & family for the endless love and support they provide. Performance Instagram: @laini.seltzer

MICHAEL SINGLER (Othello Understudy) Las Vegas, NV, Junior, Anthropology Major, Theatre Minor. Michael is an ecstatic actor who aspires to be an anime voice actor one day in his life. With a foundation of theatre arts it has given him a very strong foundational acting lens that only continues to grow along with his education. He has done High school productions of Little Shop of Horrors (Audrey ll), Almost Maine (Randy). While also dabbling in voice over work in the steam video game Home Safety Hotline DLC: Seasonal Worker (Gerald).

AMELIA SMALLFIELD (Assistant Paint Charge) Chicago, IL; Senior, BS Computer Science, Theatre Minor. Recent credits include A Matter of Life and Sketch (Scenic Designer), 9 to 5 (Scenic Painter), The Magic Flute (Scenic Painter), and A Beautiful Day in November… (Scenic painter). Amelia would like to thank her family for supporting her in exploring a variety of interests, and Ranae Selmeyer for all of the guidance, encouragement, and opportunities she’s given her.

HALEY TAMTORO (U/S Desdemona/Officer) Cupertino, CA; Sophomore BFA Acting & BA Creative Advertising double major. Her most recent Department of Theatre show was MSU Unscripted (Performer) and is very excited to be a part of this production. Haley would like to thank her friends and family for their support, and is proud to be a part of this incredible cast.

NICK TORRES* (Roderigo/The Duke) Charleston, SC; Second Year MFA Acting Candidate. Nick is very excited to be part of a show that resonates just as much today as it did in the seventeenth century. Recent acting credits include 9 to 5: The Musical (Franklin Hart Jr.), Thinner Than Water (Mark), and Inherit The Wind (Henry Drummond). He would like to thank the mentors, fellow actors, and loved ones that make up his amazing support system for lifting him up throughout this process. Enjoy the show!

HUGH J. WATTERS (Cassio) South Lyon, MI: Junior BFA Acting and BA Communications. Hugh’s previous productions with the MSU Department of Theatre include: Taking Off! (Pilot), A Beautiful Day in November…(Twin 1), Waiting For Lefty (Fayette/Miller), and MSU Unscripted. He is also a bass in State of Fifths A Cappella. He is excited to be a part of his first Shakespeare production, and wants everyone to know that he can now understand old English for the first time in his life! He would like to give thanks to his epic family, friends, and wonderful girlfriend. He hopes you enjoy this amazing show with an amazing, talented cast and crew.

RILEIGH BELLE WINE (Desdemona) Stevensville, MI; Senior BFA Acting with a minor in Peace and Justice Studies in the Honors College. Rileigh’s recent DoT credits include Beautiful Day In November… (Cheesecake), After the Blast (Anna), and Much Ado About Nothing (Beatrice). You may have also seen Rileigh in SCT productions of The Complete Works of William Shakespeare (Abridged)  (Daniel) and Digging up Dessa (Mary Anning). Rileigh is proud to be a part of a show that exemplifies pressing social issues, and hopes this story will inspire critical conversations to continue even after the curtain closes.

MICHIGAN STATE UNIVERSITY LAND ACKNOWLEDGEMENT

We collectively acknowledge that Michigan State University occupies the ancestral, traditional, and contemporary Lands of the Anishinaabeg – Three Fires Confederacy of Ojibwe, Odawa, and Potawatomi peoples. In particular, the University resides on Land ceded in the 1819 Treaty of Saginaw. We recognize, support, and advocate for the sovereignty of Michigan’s twelve federally-recognized Indian nations, for historic Indigenous communities in Michigan, for Indigenous individuals and communities who live here now, and for those who were forcibly removed from their Homelands. By offering this Land Acknowledgement, we affirm Indigenous sovereignty and will work to hold Michigan State University more accountable to the needs of American Indian and Indigenous peoples.

Friends of Theatre is a membership organization promoting, encouraging and enhancing activities of the MSU Department of Theatre. We organize events and programs that expand the community experience of theatre. We also create fund-raising opportunities and promote improvements in the programs and facilities of the MSU Department of Theatre. How can you join?  Make a donation to the Michigan State University Department of Theatre and you will become a most welcome member.
Click here
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We would like to express our gratitude to the following friends who have generously supported the MSU Department of Theatre.
If we have inadvertently left your name off this list, please accept our apologies and contact us so we may make the correction. This list is current as of 9/19/25.

Named Summer Circle Courtyard Donors
Sam and Mary Austin
Selma Hollander
Linda Nelson
Gretel Geist Rutledge
Jane K. Vieth and Alan P. Suits

Diamond ($2,500+, Season Sponsors)
Richard J. Williams, Jr. and Karen B. Williams
Dr. Lauren J. Harris
Andrea S. Rutledge and Richard Kief
Diana G. Somerton
Linda C. Stone, M.D.

Platinum ($1,000-$2499)
Sam M. Austin, Ph.D. and Mary E. Austin
Katharine M. Dennis, Ph.D.
John J. Forsyth, Ph.D. and Gretchen L. Forsyth
Barbara B. Free
David A. and Debra R. Gift
Hari E. Kern
Franklin Q. and Barbara J. Blizzard
John I. Nichols
Prof. Robert J. Roznowski
Dr. Dennis R. and Sarah J. White

Gold ($500-$999)
Robert M. Andrews
Dana E. Brazil
Barbara L. and Dr. Steven J. Bursian
Donna M. Fulton, M.D.
Karen M. Kangas-Preston
Stephen F. Kiersey
Jean Lepard
Robert W. Matson
Karen N. and Charles H. Moellenberg, Jr.
Patricia K. Munshaw

Silver ($250-$499)
Philip A. and Jacqueline E. Babcock
John F. Baumgart
Margaret W. Bird
Craig J. Gunn
Lee E. Henry
Dr. David D. Horner
Linda D. and Ross Howard
Dr. Gerald A. and Karen A. Jennings
Sylvia S. and Robert A. Stevens

Bronze ($100-$249)
Dennis P. Allen, III and Michelle K. Allen
Dr. James R. and Susan F. Bence
Beth A. and Joseph G. Bonsall, J.D.
Michael G. Burry, D.O. and Tina M. Burry
Larry L. Carey, Ph.D.
Susan Davis
William H. Foster and Connie J. Foster
Ronald L. and Alice L. Gainer
Karen T. Gilluly
Lynne A. Harned, Ph.D. and Kenneth Harned
Roger W. Harris
Prof. Nicholas A. Hays
Katherine L. and Dr. Larry M. King
Marla K. and Dale Lambert
Thomas L. Lynch
Michael B. and Rebekah J. McKenney
Prof. Deric W. McNish
Mary T. and Dr. Ulrich Meierfrankenfeld
Janice L. Mernitz
Dr. Vicki A. and Dr. Richard J. Miksicek
Tina S. and Edward A. Oxer, Ph.D.
Hedy A. Popson and William Kahlert
Rosanne Renauer, Ph.D.
Cathy S. Roth
Prof. Jeffrey H. Schenker and Michelle M. Traven
Leslie Shortlidge
Carol A. Siemon
Prof. Jaideep T. and Elisabeth R. Singh
Robert T. Spagnuolo, C.P.A. and Wendi K. Spagnuolo
Katja S. and Jeffrey D. Thomakos
Elizabeth C. Thomas
Richard K. Thomas
Dr. Ewen C. and Zora I. Todd
Donald K. Topliff
Joseph S. and Cele F. Tuchinsky
Prof. Blake J. Williams
David W. Wolski and Jean K. Wolski, Ph.D.

Pewter ($50-$99)
Elizabeth A. Baker Newell and Robert H. Newell
Jeanie E. Croope
John A. De Meo
Leslie Delemeester
Jeff S. Lambert
Elizabeth S. Lepak
Susan M. Pierson
Frederick P. Zirm and Robinwyn D. Lewis

Friends (<$50)
Prof. Mark L. Axelrod and Marissa A. Miller, D.O.
Erica Boyko
David Brown
Hui Hua Chua
Jeffrey S. and Michele M. Downes
Buu-Tran T. Duong
Louisa S. Lee, II and Dr. Kin Sing S. Lee
Anna L. Morreale
Susan H. Neller
Marillyn Z. Owens
Jamie L. Prevo
Isaac L. Record, Ph.D. and Dr. Eleanor Louson
Alma L. Roberts
Alaina Simpson-Steele
Katie M. and Bryan M. Van Dorn
Barbara S. Wepman
Mary Kay Wolfe

DISTINGUISHED DEPARTMENT OF THEATRE SCHOLARSHIP DONORS

Dixie Durr
The Dixie Durr Scholarship Fund
Virginia E. Albright
The Virginia Albright Acting Scholarship Fund
Gretel Greist Rutledge
The Frank C. Rutledge Scholarship in Theatre
The Gretel Geist Rutledge Annual Student Awards for Design Excellence in Theatre Production
Selma Hollander
The Stanley and Selma Hollander Endowed Graduate Fellowship In Theatre
Mary Culpepper
The Barbara Hacker Baldwin Theatre Scholarship

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